In 1902 Georges Méliès produced what is considered the first science fiction film of the history: “Le voyage dans la lune”. It was a virtual imaginary about a fictional spacecraft crashing into the eye of the moon. Decades later, that image on the screen takes shape, becomes aluminum, titanium, metal alloys, ceramics.
Subsequently, a few decades from the materialization of that dream, in the 80s, the bits start to pervade our daily lives and the whole world, from philosophers to artists, sociologists and designers, believe that these small units are decomposing the reality to recompose it in a virtual universe. A process of dematerialization seems to take place which blots out time, space and physicality. The real and living spacecraft looks like returning to its antecedent entity, a projection on the screen.